A bus called Sueños (Dreams) links three modern-day tales set in exotic Ecuador - the equator-straddling country that calls itself "The Middle of the World." Each of these stories carries a woman's name, and each features a mysterious, alluring female outsider who bewitches men. In the first tale, a blonde woman with an unclear past arrives in a remote, male-deprived Andean town and offers piano lessons, only to become the focus of wild rumors and innuendo. In the second, a married college professor who is haunted by nightmares becomes obsessed with a beguiling woman who seems to be sending him an ominous message. In the final story, a couple vacationing at a jungle resort refuse to believe in the ancient myths of Ecuador, but are forced to confront the legendary Guasangó.

Series looking at the revolution in 20th century music. 　　Wrecking Ball 　　It begins by examining the shift in the language and sound of music from the melodies and harmonies of giants such as Mozart, Haydn and Brahms into the fragmented, abstract, discordant sound of the most radical composers of the new century - Schoenberg, Webern, Stravinsky and beyond. It examines how this new music was a response to the huge upheaval in the world at the start of the 20th century, with its developments in technology, science, modern art and the tumult of the First World War. Featuring performances of some of the key works of the period, performed by the London Sinfonietta, members of the Aurora Orchestra and composer and pianist Timothy Andres, the story of this episode in music history is brought to life through the contributions of the biggest names in modern classical music, among them Steve Reich, John Adams, Michael Tilson Thomas, Pierre Boulez, George Benjamin and Alex Ross, music critic of the New Yorker. 　　Free for All 　　Part 2 examines how the freewheeling modernism that had shocked audiences in the first two decades of the century came under state control. Initially, many practitioners thought the totalitarian regimes would be good for music and the arts. What followed in Germany was a ban on music written by Jews, African-Americans and communists, while in the Soviet Union there was a prohibition on music the workers were unable to hum. After the cataclysm of the 1940s, a new generation of composers - Boulez, Stockhausen, Xenakis, Nono, Ligeti - turned their back on what they saw as the discredited music of the past and tried to reinvent it from scratch. Or, at least, from serialism, which became as much of a straitjacket as totalitarianism's strictures had been. But from this period of avant-garde experimentation, which many listeners found baffling and terrifying, came some of the most influential and radical musical innovations of the century. 　　Easy Listening 　　Series concludes with the focus shifting to the United States in the post-war years of the 1950s and beyond. Beginning with arguably the most notorious work of 20th century classical music, John Cage's 'silent' composition 4'33", it looks at how a series of maverick Americans re-invented the sound of classical music into a more simple form, bringing back harmonies and rhythms that made it increasingly popular with audiences across the world. It also examines how this music found its way into a spiritual realm, with the strain of pared-down religious composition that came to be known as 'holy minimalism'. From the Maverick concert hall in Woodstock, New York to an Orthodox cathedral in Estonia to a car park in Peckham, south London, the story is told by a stellar line-up of contributors including Philip Glass, Steve Reich, John Adams, Arvo Pärt and John Tavener.

Ji Sun Woo is an associate director of a family clinic with a perfect life—a great career, married to a handsome, young-looking man, mother to an adoring son, and surrounded by seemingly caring friends. She couldn't be more content. Lee Tae Oh, her husband, is an aspiring movie director. However, when his temptation leads him to betray Sun Woo along with the people around her, she gets driven to revenge. The perilous twists-and-turns of a married couple's life unfolds.

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Take a trip alongside Jeff Bridges to Big Pink in the short film, 'From The Village to The Basement.'

Dudaktan Kalbe is a Turkish television series. It stars Burak Hakki and Asli Tandogan. It is the television adaptation of Reşat Nuri Güntekin's famous novel, "Dudaktan Kalbe". He was one of the most popular writers of his period and was also a prominent name in the history of Turkish literature and drama. "Dudaktan Kalbe" recalls the pathos and romance of Leo Tolstoy's novels. It was published in 1923 and focuses on the struggle between ethics, loyalty, love and ambition. The television series ran for two seasons. This series is currently airing in Serbia as Plač violine on Prva TV at 19:20.

A romantic comedy about the first of a tight group of friends to get married.

A comedy writer's need for approval leads him to a wonder elixir that bends his world into a surreal landscape of comedy tropes, which forces him to explore his own worth outside the writer's room.

Egon Brümmer and his half-strong "boys" are an integral part of the Borkenheide Musical Club. When the manager of the clubhouse forbids them to rehearse in his rooms, Egon and his friend Paul react by hitting on the visitors to a nearby Christmas party. Both are sentenced to six months in prison without parole for assault. When Egon gets out of prison, he wants to leave his old life behind him. He tries to avoid the boys, but they don't understand his change of heart. He starts working as an unskilled laborer on a building site, just as he did before he went to prison. At a graduation ball, Egon meets Christine Lange, who wants to study medicine. Her friends call her the "eighth wonder of the world" because it would be a miracle if she were to fall in love. Egon pretends to be a construction specialist and the two dance together.

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